Magic was me, or so they said. Thus the Hollywood people went to me to make movies. We created and founded new music and movie companies by the late 1970s, me owning them for being prolific in song compositions. I had money from songs and Star Wars 1977, for example. We created many movies detailing our adventures with our magical abilities and powers. One such movie is "The Librarian" starring Noah Wyle. I thought I should have repositories of all these magical tools and devices I created, even "lightsabers".
What more to satisfy my craving than a library housing these magical artifacts with a blend of archaeology and history, but kept from the public? Hence, this "The Librarian" movie series. I can remember well "The Librarian: Quest for the Spear" and "The Librarian: Return to King Solomon's Mines". But not entirely the third movie "Curse of the Judas Chalice", which we did perhaps in the late 1980s. I think I didn't want to make this movie with this title they chose.
The older folks wanted nothing more than to exhaust my magical powers, but not without a movie made, I probably insisted. :)
The Philippine cities were still new or still being built when we made this "Star Trek: Enterprise" TV series during Martial Law Cold War Philippines in the 1970s. Here, I'll write my memories per episode I remember. Some of these episodes were shown to me again in grade school in the 1980s, to be finalized presumably. But don't expect me to outline "warpdrive" technologies here. It's everywhere in the series. I/we encoded them in one particular Enterprise episode, "visually" in a succession of scenes. Let Google DeepMind find it.
Season 1
Episode 1: Broken Bow (1)
The first scene shows a young Jonathan Archer painting a toy shuttle pod with his father, and them talking about warp drives and the Vulcans' helping the humans in space technologies. Seeing these two reminds me of the Joreses being into advanced research.
Then, the scene changes to a big and tall Klingon being chased by unknown aliens, 30 years later in Broken Bow, Oklahoma. There was a crime in the area in real life, so we were there; we shot some scenes for Star Trek Enterprise. Maybe it was here that I was informed we were definitely making this Star Trek TV series. Also the field of crops (sugarcanes or corns) reminds me of fights for land ownerships so the crime might be about it. A colored man (black/Klingon) might had been killed and this scene shows how. But really, really, this scene is to show biologically-enhanced aliens with their weapons. I wonder now if it was real Oklahoma or just in the Philippines. Broken bow? I or someone may had angered a real-life Monarch by breaking her bow and arrow, hence this title of the first episode that will certainly cause reverberations from that time on among military networks of the world.
The scene where Archer and Tucker in a rudimentary shuttlepod approaching and examining the Enterprise in spacedock was not supposed to be shown but I wanted that; it's a start of showing technologies. Thereafter, Jonathan Archer is given "the-go" to command starship Enterprise amidst doubting and reluctant Vulcans, to investigate on this crime against the Klingons. He then chooses on the spot Dr. Phlox, a Denobulan alien, to be the ship's temporary medical doctor. Archer met T'Pol there with the Vulcan consuls. Of course on Enterprise, we have to show the "teleportation device" or "transporter" I co-designed (you have to be a "musician" to understand this), and its first uses by the crew, by Malcom Reed and Travis Mayweather for example. Likewise, Archer went personally to linguist Hoshi Sato while she was teaching a language class to recruit her for Enterprise, or rather, I chose Hoshi but they knew her too!
When it was time for starship Enterprise' inaugural, Archer was formally introduced to command it. T'Pol then joined the crew as an observer for Vulcan matters. They were to transport Klaang, the injured Klingon, to his homeworld Kronos. When Klaang got awake briefly, Hoshi couldn't make up what he's saying, still delirious according to Dr. Phlox. Then suddenly the lights went out, and Klaang was gone! Taken by the alien Sulibans. Probably some resources and materials were gone too. Scenes like this are to happen if a group demands it greatly in the Star Trek universe for their survival in real life, at a price. That's part of their "wartime strategies"; It was Cold War. Otherwise, some innocent people will suffer from their hands. Nevertheless, this scene is a precursor to some intense moments in Enterprise history. The said aliens are serious in enhancing their biology. It is revealed in this episode that these aliens (the Sulibans) receive information and are commanded by an unknown persona from the future, via a hologram, in exchange for those bio-enhancements.
Archer and his team had to find Klaang. They narrowed done to Rigel Ten, a planet where Klaang just visited previously, to verify intel. When they arrived, the scene shows their shuttlepod landing atop a platform or building. I think this building was ours, the Jores-Tamayo's. But when they got inside, Reed was fascinated with some show there, where two dancers perform and snap small butterflies or insects with their tongue. Others might say this dance "show" scene was finalized at Jazul's Compound. Meanwhile, Tucker and T'Pol were looking too, Trip being fooled by the sight of a child being weaned by two different gases to inhale, thinking the child was being suffocated by his own mother. Since I saw a child, I think this place was our home in Tara Street, Masbate City, being started to be "concretized". But later, others wanted a remake or "set up" the same scene at Aurora Blvd., near now Supa. When I was in high school (1988-1992) there was a "Cabal Furniture" store there, you now know why. Then T'Pol and Tucker and Archer and Hoshi encountered and were captured by Sulibans of which one was of "Reyes" family, I think. The Reyes guy answered our call. My purpose was to see some laser gun or "phaser" technologies, ray guns, particularly "stun" guns if there were still remaining, what group has them. Hence, this rendezvous. They were expecting to be paid huge from this exchange.
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Episode 2: Broken Bow (2)
I own Star Wars, probably the greatest movie franchise of all time. I made the Star Wars 1-8 movies. We were the real militarily, if you may, so I was the one making Star Wars, Star Trek, Transformers, etc. in the late 1970s to the 80s. I was Starfleet. In fact, I am supposed to co-own 20th Century Fox, Dreamworks, Warner Bros, Paramount, Columbia, Lucasfilm, etc. even Disney. I am supposed to be Hollywood and tech magnate. But the movies are scheduled for the 1980s, 1990s, 2000s, and 2010s. It was still 1970s to the 80s when I was making the Hollywood blockbusters. So it was easy to steal from me. They had all the time in the world to steal my Hollywood movies. And the fact that I was a child; genius but a puny child. They stole the corporate and legal side of me, and they compounded their theft by further using me, exploiting me, asking me to make more movies. I was kept in the field. I was the "go-to" guy in making movies. The actors and actresses were chosen by me, so they're my people. I was their Boss. They were acting or working for me. It was me too deciding what movie production company should be for the movies. For example, if I put the Paramount logo, that's it, that was my decision. Unknown yet to Paramount. They would just had to thank me I chose them. That's how fast the movies were made. It was my money that circulated in producing movies. I was always making movies, documenting what was happening around, the people, the technologies, the ships, the weapons tech. It was me the common factor in all these Hollywood blockbuster movies. We were the Empire of Star Wars. We were the Starfleet of Star Trek. (Star Wars is real. It was real Cold War.)
But they were too hardcore and overkill in their thievery that they made me forget about this. Now, I ask $1.2bn for making Star Wars 1-8.
If I remember it right, the Millennium Falcon was my mother's, or we bought it that it became ours. The MF was hers that she was being questioned how she was performing "hyperdrive calculations" with it. Maybe that was her "scientific breakthrough" they mentioned to me. When I saw the BB-8 droid in a press release video where the setting is like a toy store, that was probably where I "approved" of it then, for a Star Wars movie. I was the expert in electronics, robotics, and AI, so they showed me BB-8 and I made BB-8 run or brought it to life. BB-8 is perhaps my AI made from raw magnetic fields, hmm? I created R2D2 too, my programming, so they wanted a BB-8. R2D2 has circuits to program. They were always trying to figure out how I make robots, or "AIs with stored knowledge" already, especially with R2D2 in the early SW movies.
The "original" Rey (if that Rey is new or really young) was my "babysitter" when SW7 was made, or my mother, or a friend of her who became a high school teacher too. I was going preparatory school then, although it was still war in some areas.
I think of these SW movie footages, behind-the-scenes, movie premiere photo shoots as already old, taken in the 1970s to the 80s and now shown to the public.
Now what of Star Wars 9 The Rise of Skywalker? Judging from the trailers, this was mine or ours too. I wonder if my storyline from start to finish was followed faithfully. The military generals were already against me. Some of them were able to maintain their agimatz and they wanted me to remember my Jedi powers but I won't anymore get involved in a bloody war. I got the notion early on that Star Wars was being taken from me, completely excluding me in the end. I said I wanted money in the future, at the time the sequels are released, my way of ensuring money for me. That's why from plot leaks, this is like a heavily edited storyline, because the generals wanted their hand on the story, so massively revised that is sure to leave us in amazement up to the end of the movie. The Rey here, probably a grandma or an aunt of mine, was ravaging--so I guess that's the reason why there is a "Dark Rey" in this Episode 9. There were fights for land ownerships, initially paid for by early Star Wars movies money.
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The final trailer of "Star Wars: The Rise of Skywalker" is here (10/22/2019), and it looks new. Maybe Star Wars 9 is so much edited indeed. I remember some scenes of the previous two SW9 trailers, Kylo Ren and Rey's fight amidst a turbulent sea, etc. but this new trailer is so surprisingly new really, as what they said there were heavy editing changes this past few months. I recall, however, the following scenes in the final trailer: Rey running through the forest with a helmet thrown on the ground, Rey running to jump high on the cliff, C3PO taking one last look at his friends, a speeder barely hovering on the waves of the sea, Palpatine's throne like GOT's, etc. I wonder if the rest is what I decided so, what I told them, and followed by them to the detail, in the 1970s to the 1980s. Or maybe, ours are only Star Wars 1-8. I knew there were many movie cameras around during Star Wars Cold War--enough footages available to make Star Wars scenes.
Updates: I already watched "Star Wars: The Rise of Skywalker" last December 2019, definitely mine/ours too. I ask $1.4bn from Star Wars 1-9. (1/22/2020)
In the last scenes of the movie, we see Rey burying lightsabers into the sand with her Jedi powers. We thought of this for the movie. It was actually about me who did precisely that. Some boys had shown me broken lightsabers and we fixed them. I didn't want anymore lightsabers so we said we bury them, for no one to own. But those boys just dug up the lightsabers and stole them! I became used to children like them. I let them. I didn't want fights anymore. But I was satisfied I remembered my lightsaber-making techniques again. I wonder what nation or groups got those powerful lightsabers. The location was probably now Barangka, Marikina. And search for and showing old Jedi texts were conceived with some scenes shot in Project 4, Q.C., Philippines. (5/20/2020)
The September 11 World Trade Center attack in 2001 has a precedence. The terror attack happened during Martial Law Cold War here in the Philippines, where many international trade centers were bombed down. It was a defiant response to the fact that I was further solidifying the trade of the US globally, and that I created a more global China in trade. I created the trade alliance between China and the US. The Arab muslim countries were successful in businesses and trade during the 1970s so they opposed these two global trade powers. The 911 attack was therefore planned to occur again which indeed happened in 2001.
But the fact that it occurred again hints to conspiracy theorists' allegations that the 911/2001 terrorist acts on WTC was just a scheme or staged by the US itself as a reminder of its many losses during the Cold War. Plus the fact that it could mean huge funds to the US military for national defense. But certainly, terrorism is a serious matter now. Lives are at stake that every country should counter it to the fullest.
So, I watched Star Trek Discovery Season 1 on Netflix. On Wikipedia and IMDB you can see a list of the episodes and their titles. Judging from these titles, I can see I thought of these titles too, though somewhat unusual and different they may seem. They brought these episode titles to me again in the 1980s, thinking I might "change" them. We made this series too. I wonder if there was a reshoot in 2010s.
TV series like this make me think that they were made in the 1970s and the 80s, and released only now for the viewing public. If the actors were also young at the time, like me, then they are now in their 40s too. Otherwise, they are now really old, way older than me when the episodes were shot. Even the press release photo ops were done already in the 80s, or movie premiere photo shoots. Anyways, I reckon Michael Burnham (or Sonequa Martin-Green) was one of those tasked and who excelled in analyzing my work, encryption codes, intents and purposes shown in CGI, and my Science. (However, my work was actually "open" for a time to the highest of Councils I knew.) She went to me again in the 1980s.
These military movies and TV shows are like documentaries (my diaries or journals) of what happened before in the 1970s and may happen and persist onwards, like the "mafias" in drug trafficking and smuggling, the people involved and their alliances globally. Starfleet showed them through Star Trek movies and TV series, and predicted the consequences of their past actions. Someone may bring up the real events of the Cold War in international disputes to prosecute those with war crimes which may result to another war in the present.
The inclusion of Michelle Yeoh, a very popular Chinese (Malaysian) actress in the Star Trek Discovery series tells of the Rising Dragon in Asia that is China, a force to reckon with now in artificial intelligence and quantum computing. And we are again shown the Klingons who are the Blacks in America, now accordingly outnumbers the Whites in the US. These Klingons also pertain to groups who became "black" in color due to tenous mining for gold in the Philippines, in Masbate and Baguio for example. They became black so they were persecuted as the black Negroes. We helped the blacks gain rights and freedom in the Philippines and globally. Good and evil are universal so there were good and savage blacks too in the Star Trek Philippines I recall. Think of the National Basketball Association (NBA) and here we see that the blacks dominate. Incidentally, I'm supposed to co-own NBA teams too, stolen from me, like San Antonio Spurs, Chicago Bulls, LA Lakers and Clippers, etc.
The presence of a "tardigrade" who is running a functioning "sporedrive" tells us the cruelty in those Cold War times. The Tardigrade was a "body mask" worn by a human who used his brain and body to "supercompute" perhaps teleportation and replicator tech. When that was probably found out, they asserted their superiority again by showing a real human (without body masks this time) running the sporedrive in the said Star Trek series, however cruel it may appear.
[Update: I just finished watching Season 2 from some internet sources. I can recall the presence of Captain Pike as always. I particularly recall, however, the scenes in the episode where Dr. Burnham, Michael's mother, was caught in a shield. (7/26/2019)
Related blog: The Very Best of Bread 1991]
I co-authored the 1987 Constitution actually. Or let's say with my father and mother. Or later reviewed by teachers in Masbate. It was prepared in the 1970s, for ratification in the years to come. I wrote the Civil Code of the Philippines in the 1970s. And later in 1980s too with sadly, many deaths by my side while writing a few articles and sections. (The "brawns" groups were asserting their power.) To my mind, it was goddamm bloody authoring laws and regulations, their way to deter me. Still, right prevailed over wrong, but how the laws came to be was really bloody. That's why it must be reviewed and amended by others "to add their minds or aura of nobility and integrity to the written law."
The Tamayos were Monarchs or Royalty authoring Laws and Constitutions, e.g. we were United Nations/Starfleet in the White House and Malacañang.
My father really wanted me to be a Lawyer, even at this old age of mine. But we were lawyers already (me and him and my mother); we were authoring Constitutions. In fact, I passed the Bar Exams in the 1970s, because I wrote it! :) I was writing/preparing Licensure Examinations too for the Engineering and Teaching professions. Of course, my work must have been updated by now, but when I took the Licensure Examinations for Teachers (LET) in 2008, which I passed, the exam was so familiar! In fact, I thought I would be in the Top 10 of the LET 2008.
At this present time, my father could have been president already, and being visited by former US presidents at Starmall San Jose Del Monte as it is ours too. There is supposed to be airport here so the US presidents can visit us. With Star Trek ships in place, that's easy to do. So that was the plan, ideally. The Tamayos are really wealthy, even have global oil companies, supposed to be.
I should be Senator by now, even if I'm not that wealthy, with backing from top families globally and US politicians. By 2022 elections, I should be President of the Philippines. My plan then was to be a known-wealthy Senator for President, or maybe I was satisfied being just Governor or Mayor of Masbate, not obliged to attend daily Congress sessions, for example.
The week my father died, he was still sharp in mind and intellect. He was recently in April enjoying with his brother recalling their childhood memories. In his last days he was more updated than me on CNN news and NBA and PBA games. His death was so sudden I still can't believe it happened. But God knows what's good for him. I miss my Papa.
My father was the best and brightest, in many Sciences. He was Valedictorian in grade school and high school. A Fulbright Scholar, he was a String Theorist along with a "girlfriend" colleague of his (writing papers under international names). We were Star Trek. A brother of his was a warp drive theorist.
My father really wanted me to be a Lawyer, even at this old age of mine. But we were lawyers already (me and him and my mother); we were authoring Constitutions.
My father remembers it was him who divided Masbate into Districts. What he can't recall was that he did that too for the US, and named its new States or cities.
He was my own "Jesus of Nazareth", and perhaps the setter of my music style.
After my father's interment on May 26 we were caught by traffic going home. So we downloaded Waze to the new Oppo F11 phone. So I recalled I created Waze too, or again maybe just in the names.
But really now I know some of my messages praising him and mentioning his achievements were prelude to eulogies. He was the best and brightest in many Sciences, and a good dad.
Rest in Peace, Papa.
We love you!
Go to Heaven, Go to God Papa!
***
Rest In Peace
Edgar Jores Tamayo, former Manila Bulletin Journalist from 1978-2010.
Born: April 29, 1947
Died: May 21, 2019 7:14 PM
Age: 72
He died of cardiac arrest and lung failure.
Wake was held at St. Peter's Chapels Quezon Avenue from May 23-25, 2019. His remains were buried at Paraiso Memorial Park, San Mateo, Rizal on May 26, 2019.
He is survived by his wife Josefina, sons Gerald, Felix Angelo, and Edgar Jr., his mother Violeta, and twelve brothers and sisters.
We ask friends and relatives to pray for the eternal repose of his soul.
*****
